“Radiant soprano…graceful and expressive…strong of voice and dramatic demeanor…sings beautifully…stood out vocally.” The Wisconsin State Journal, Capital Times, Montgomery Journal, Baltimore Evening Sun. The dramatic soprano has performed throughout the United States and in Northern Europe in opera, operetta, musical theater revue, concert, choral, and recital genres. Having sung with such conductors as Benton Hess, Stephen Cleobury and Richard Westonburg, her acclaimed performances vary from Madame Lidoine in Dialogues of the Carmelites, Female Chorus in Rape of Lucretia, Eleanor of Aquitaine in Flower and Hawk, and Fiordiligi in Cosi fan tutte, to vocalist in Pierrot Lunaire and Le Marteau sans maître. With her “stellar ear” and excellent reading skills, the soprano has been sought after for her pristine delivery of Contemporary vocal music as well as French mélodie and German lieder. Mr. Thomas Grubb, author of Singing in French called her performance of Ravel’s Shéhérazade “Unbelievably good.” Roles prepared include Elektra, Brünnhilde in Die Walküre, Senta in Der Fliegende Holländer and Alice Ford in Falstaff. Educated at the University of Wisconsin-Madison and the Peabody Conservatory of Music in Baltimore, MD, the soprano is comfortable as both a concert soprano and mezzo-soprano soloist. Kathleen M. Allen, DMA This email address is being protected from spambots. You need JavaScript enabled to view it.. Visit https://www.drkatemarie.com
Soprano Kate Vetter Cain’s “sweetness of timbre and vocal power” (The Washington Post) has made her a soloist with such ensembles as the Washington Bach Consort, Cathedral Choral Society, Baltimore Symphony Orchestra, Folger Consort, Washington Concert Opera, Washington Ballet, In-Series, The New York Gilbert and Sullivan Players (Off-Broadway), Ash-Lawn Highland Festival, and the Caramoor Festival Opera. She specializes in the works of J.S. Bach and other Baroque and Classical-era composers. Visit https://www.katevettercain.com.
Hailed as “a lyric soprano of ravishing quality” by the Boston Globe, Laura Choi Stuart has appeared on the mainstage with Boston Lyric Opera, Opera Boston, Annapolis Opera, Lake George Opera, the In Series, and Opera North in roles including Musetta, Adina, Gilda, Pamina, and Frasquita.
Lyric soprano Shaina Kuhn has performed in many operas, concerts, recitals, and musicals along the east coast.
Soprano Sarah Berger has performed solo and chamber repertoire ranging from Heinrich Schütz to John Adams with ensembles including Concert Artists of Baltimore, the Baltimore Choral Arts Society, the Washington Bach Consort,Lincoln’s Symphony Orchestra, Hood College Choir, the Bach Sinfonia, the Baltimore Masterworks Chorale, Washington’s Orchestra of the 17th Century, and the chamber ensembles Stylus Luxurians and the Ceciliana Quartet.