Andrew Sauvageau cares about characters. Praised for the shining color in his voice, the spark and nuance of his acting, and for his contained ferocity in concert, Andrew brings his energy to the stage, both in concert and in operatic settings.
His solo engagements include performances with the BBC Symphony Orchestra in the UK premiere of Louis Andriessen’s La Commedia, Oliver Knussen’s Where the Wild Things Are with New York City Opera, Schönberg’s Serenade with the Birmingham New Music Group at the Library of Congress under Oliver Knussen, Berio’s Coro with the Lucerne Festival under Simon Rattle, Orff's Carmina Burana with the Richmond Ballet (Richmond, VA), Henry Partch’s Barstow with Peabody Camerata (Baltimore, MD), and La Commedia, H.K. Gruber’s Frankenstein!!, Armando Bayolo’s Sacred Cows, and Michael Gordon’s Van Gogh with Great Noise Ensemble (Washington, DC).
Andrew has also participated in various premieres by Michael Oberhauser with Silver Finch Arts Collective in Washington, DC, as well as premieres by Ruby Fulton and Nicholas Vines at the Tanglewood Music Festival, and the American premiere of Joanna Lee’s Lear TV with hexaCollective at the Baltimore ArtScape Festival.
Kyle Tomlin is an emerging professional tenor with experience performing a wide range of repertoire from cantatas by Bach and Mozart's Requiem to Beethoven's 9th Symphony.
He has sung with such companies as Virginia Opera, Toledo Opera, St. Petersburg Opera, Fargo-Moorhead Opera, and regularly sings with the Washington Bach Consort and the National Shrine. He is also no stranger to new music, singing roles in three world premiere productions of new operas. His other notable roles include Rodolfo (La Bohème), Tybalt (Roméo et Juliette), Nemorino (L'elisir d'amore), Almaviva (Il barbiere di Siviglia), and Eisenstein (Die Fledermaus). He holds degrees from Penn State University and the University of Michigan.